![]() Select ReWire out and then give it a dedicated output (Bus 3/4, 5/6, 7/8 etc. If you want to take this further, you can actually output Live’s audio onto different tracks in Logic enable the I/O tab to and click the Audio To dropdown menu. Logic is sadly restricted to Audio Units, so any free VSTs are out of the question unless you have some sort of plugin wrapper (which I don’t). One limitation is that you can’t use any third party plugins in Live so Sylenth, Massive, FM8 or whatever all need to be sequenced in Logic. You can sequence MIDI and audio in both Logic and Ableton. When mixing or arranging it’s certainly worth dealing with Arrange view, though. This is okay if you have a four/eight bar loop from zero in Logic and you want to use Live’s Session view attributes to audition ideas, use clip launch actions or similar. Pressing play in Arrange view will behave as you might expect in Logic – if you play from bar seventeen it will play from bar seventeen – however in Session view Logic will always play from zero. I would recommend using Live’s Arrange view, rather than Session, but if you’re an advanced Ableton user this won’t make a difference. All transport functions like play, stop, fast forward and record will be replicated too – both DAWs in sync with each other. You should notice some differences: although the tempo can be adjusted, it’s greyed out because it’s taking this information from the host DAW (Logic). Let’s open up Live (again, ensure you’re running the 64-bit version or this won’t work). Now anything that comes out of Live’s master channel will be inputted into Logic. This will add a track in your mixer called Aux 1: set the input to Ableton Live > RW: Mix L/R: Now click Options > Create New Auxiliary Channel Strip: In the Audio Preferences ( cmd + ,) make sure that ReWire Behaviour is set to either Playback or Live Mode and not Off:Ĭlose the preferences and hit x to open the mixer. If you want to use Logic 9 or another 32-bit DAW, you’ll need to have the 32-bit version of Live.įirst things first open up Logic X, which is acting as the master DAW. It’s important that if you’re using Logic X you have the 64-bit version of Live to hand. Ableton Live 9 can be run in either 32-bit or 64-bit and, if you’ve purchased it, both can be downloaded. We’re going to be using Logic X which is 64-bit software. When rewiring the process is much the same whichever DAWs you are using, so we should be able to demonstrate the concept just fine with these two. Probably two of the more popular sequencers for the average bedroom producer are Logic and Ableton (the latter being both PC and Mac). Know the limitations of your music-making machine and be prepared to freeze tracks or bounce down if necessary. ReWire can be heavy on your CPU so this isn’t always something I reach for. Many Reason users were extremely happy with the sequencing and modular options available in their DAW of choice but begrudged the fact you couldn’t record audio – ReWire made that possible by hooking it up with Pro Tools, Logic or Cubase. I am mostly an Ableton user these days but I was predominantly using Logic for about eight or nine years before that, so I am very clear about the advantages and disadvantages of both. Some come bundled with tonnes of really useful plugins, like Logic some handle time stretching in a really CPU-light way, like Ableton and some have great ways to cross-modulate synths and drum machines, like Reason.Ĭombining the best of all of these DAWs can lead to interesting results. Why ReWire?Īll DAWs do things slightly differently. If you paid for Live, you can download the 64-bit version for free from your account on the Ableton website in your account downloads. In this post I’m going to take you through the steps in rewiring Logic X and Ableton 9 importantly, the latter needs to be running in 64-bit mode else it won’t work. Some DAWs can only be hosts (Logic, Pro Tools, Cubase) and some only slaves (Reason) where as Ableton Live can be both. ReWire requires one DAW to be a host and another to be a slave (bear in mind you can run more than one slave DAW at a time). Originally created to connect Propellerhead’s TB/TR X0X emulator ReBirth to Cubase, it’s now an industry standard method for connecting any two DAWs capable of using it.Ī full list of what DAWs can be ReWired can be found here, but the big hitters are really Logic, Ableton, Pro Tools, Reason and Cubase. One extremely useful development by Propellerhead and Steinberg in 1998 was a software called ReWire. Some stick to one and others flit between several. ![]() Lots of producers may have grown up using one DAW and switched to another later down the line. All DAWs have their idiosyncratic nuances that make them great for some things but not so much for others. ![]()
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