The advent period sees special classical music events appear throughout the city. (Entrance of the city’s main Christmas market. Entrance is usually free (though you can – and probably should – make a donation). The Take 5 association enables a range of cultural events with international performers, including many classical concerts. One notable example is the Concentus21 amateur orchestra, which performs in, for example, the undercroft of the Canisiuskirche church. Concentus21Īlthough the professional scene gets all the plaudits and coverage in Vienna, the city has a strong tradition of amateur productions and players bringing the joys of classical music to audiences. The Wiener Sängerknaben often perform around Vienna and have their own home, too their MuTh venue also puts on concerts and plays involving other performers. Stephansdom cathedral, which hosts occasional concerts throughout the year, but picks up the pace through AdventĪnother tip is the Hofburgkapelle, whose Sunday Holy Mass services include church music provided by one of Vienna’s most prestigious musical institutions: the Wiener Hofmusikkapelle (Imperial Court Music Ensemble).The Minoritenkirche: this central gothic church typically has regular gospel performances and more throughout Advent.I already mentioned Karlskirche, Annakirche and Peterskirche (which also has regular organ recitals) for their light classical ensembles.Īll the above and other central places of worship usually have a special programme of advent concerts during the Christmas period. If you’re visiting churches, look out for recitals and similar there. (Stephansdom cathedral offers a suitably Gothic and resonant atmosphere for classical concerts)
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fontawesome5brands - different icons from Font Awesome 5 Brands specified by the unicode code points found here: fontawesome.Example sequence diagram described in the text. fontawesome5regular - different icons from Font Awesome 5 Free regular specified by the unicode code points found here: /icons?d=gallery&s=regular&m=free The elements for a sequence diagram are shown below and explained in the text that follows.materialdesignicons - different icons from Material Design Icons specified by the unicode code points found here: fontawesome5solid - different icons from Font Awesome 5 Free solid specified by the unicode code points found here: /icons?d=gallery&s=solid&m=free. fontawesome - different icons from Font Awesome specified by the unicode code points found here: fontawesome.io/icons.Sequence diagrams are organized along two axes. Editable sequence diagram examples covering many scenarios. The following special participant types exist A sequence diagram shows elements as they interact over time, showing an interaction or interaction instance.When the sequence of the message flow modifies, then it may be possible to generate an incorrect outcome. New particpants of type participant may be added by clicking the icon The sequence diagram may get convoluted if there are so many lifelines present in the system. The canonical case is a UML Sequence Diagram (where the notation comes from), which represents the messages exchanged between objects in a software system. Shop Now: Yamazaki Kitchen Rack in Wide, $33,. Designed in Japan, the shelf features a birchwood top and a wide powder-coated steel body that's sized to hold everything from coffee mugs to spices and dish soap. Related: Small Kitchen Storage Ideas for a More Efficient Space Go Wideĭon't let the clean lines of this minimalist-style rack fool you-it's still brimming with storage potential. Heavy Duty Kitchen Sink Shelf: Farfaview 33″ Dish Drying Rack Over the Sink Organizer Steel Kitchen Sink Shelf: Home Basics Metal over the Sink Dish Rack Minimalist Kitchen Sink Shelf: Yamazaki Kitchen Rack in Wideīamboo Kitchen Sink Shelf: Lipper International Over-The-Sink Bamboo Shelf Kitchen Sink Shelf with Drying Rack: 1Easylife Over the Sink Dish Drying Rack "They also eliminate sink clutter, which can be a huge nuisance in a kitchen of any size." Interested in adding a sleek above-the-sink shelf to your kitchen counterscape? From minimalist-minded styles to tiered organizers and more, here are several styles that will transform your kitchen sink into a storage-savvy scene in seconds. "Simple above-the-sink shelves offer a place to store everyday items without cluttering your countertops," says interior designer Kirsten Grove of We Three Design. "More often than not, small kitchens lack upper cabinet space because of windows or limited wall space," says interior designer Abbe Fenimore of Studio Ten 25, "which means finding creative storage solutions to access your most-used kitchen items is a must."įortunately, there's an easy-and affordable-way to seemingly create more room out of thin air in an otherwise cramped part of your kitchen. Typically crafted in rust-resistant stainless steel, a rinse. DURABLE CONSTRUCTION: Made from heavy-duty rust-resistant T304 stainless steel with soft silicone bumpers for long-lasting use - Holds up to 50 lbs.Carving out extra storage room in a kitchen can be difficult, especially when you're working with limited cabinet and countertop space. 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The overall experience is a little closer to what you’d expect from a non-E Ink touchscreen. The same goes for navigating the Kobo store and highlighting passages. Flipping pages with both the physical buttons and touch gestures is just a little smoother. This came as a pleasant surprise to me, because I always found the original Libra’s screen to already be pretty fast. The screen’s speed boost is noticeable next to the first Libra. Poolside and bathtub reading shouldn’t present any issues at all. You can submerge it in up to two meters of water before running into any issues. The good news is that, despite not having any covering on the screen, the Libra 2 has an IPX8 waterproof rating. This won’t be a problem if you’re a pristine reader, but I suspect most people want to use their e-reader in a wide variety of circumstances - some of which are, yes, messy. Crumbs, sand, and other debris are much more likely to end up stuck between the screen and the bezels. This choice, coupled with the screen’s slight depression, saves the front of the Libra 2 from the worst of the Kindle’s glaring fingerprint issues. There’s no plastic covering the screen at all, actually. Kobo has chosen to stick with the same front design as the first Libra, with the touchscreen inset slightly - the exact opposite of the Kindle’s full-flush front, where the seams between the screen and the bezels are imperceptible. The Libra 2 sports a 7-inch E Ink Carta 1200 touchscreen, a significant step up in terms of speed over its predecessor. Kobo Libra H2O (left) vs Kobo Libra 2 (right). We only include products that have been independently selected by Input’s editorial team. Input may receive a portion of sales if you purchase a product through a link in this article. It’s this kind of design decision that sets the Libra 2 apart from the rest of the e-reader market. Rather than fumbling around for a hand-hold (as I found to often be a struggle with the Paperwhite), Kobo has given us the perfect place to hold our electronic books one-handed. This hardware quirk is demonstrative of the Libra 2’s greatest gift to readers. The first thing you’ll notice with the Libra 2 is its asymmetry: the right-side bezel extends outward a few inches to house the device’s physical page-turn buttons. The hardware is streamlined, yes, but not to the point where all that’s left is a screen. The Libra 2 - the H2O has been dropped from its name - looks nothing like its cousin the Kindle Paperwhite. The Libra 2 is just as refreshing, now with adjustments to bring Kobo’s best into the new decade. (Books can’t be protected by DRM for this method to work, however.Kobo’s Libra H2O helped me fall in love with e-readers again after Amazon’s monopolistic practices left an acrid taste in the back of my throat.Īfter feeling cornered by Kindles for years, the Libra was a spring of the purest digital water. Windows will recognize your Libra 2 as a USB drive, into which you can copy books and other compatible formats like PDFs and even Microsoft Word files onto. In addition to downloading borrowed books from OverDrive and purchased titles from the Kobo store, you can of course plug the device into a PC to transfer files. Instead, your two options are the cover of the book you’re currently reading, or a blank screen and a bit of text that says “Sleeping.” You have to do a little work on your own to add your own custom screensavers. If I’m not careful, I can lose whole hours while reading.Ĭuriously, Kobo doesn’t offer screensavers for Libra 2 while it’s in standby mode, like Kindles do. The only missing option? A native ability to make the time always visible, as on Kindles. Kobo makes book-related settings visible as soon as you tap the center of the screen-a second tap usually gets you to where you want. Within books, navigating is straightforward and intuitive. For example, Amazon wasn’t the first to introduce waterproofing and warm lighting with its Kindles. Kobo is a longtime veteran of the e-reader wars-for over a decade, the company has steadily produced affordable models that have pushed the envelope on features. Supported formats: EPUB, EPUB3, FlePub, PDF, MOBI, JPEG, GIF, PNG, BMP, TIFF, TXT, HTML, RTF, CBZ, CBR, Kobo Audiobooks.Front light: Yes (plus adjustable brightness and color temperature).Display: 7-inch, 300 ppi E Ink touchscreen.Kobo Libra 2 (2021): Specs, features, price In fact, after months of using the Libra 2, it’s often my first suggestion to folks seeking an e-reader with physical buttons-even people already deeply invested in the Kindle ecosystem. Select ReWire out and then give it a dedicated output (Bus 3/4, 5/6, 7/8 etc. If you want to take this further, you can actually output Live’s audio onto different tracks in Logic enable the I/O tab to and click the Audio To dropdown menu. Logic is sadly restricted to Audio Units, so any free VSTs are out of the question unless you have some sort of plugin wrapper (which I don’t). One limitation is that you can’t use any third party plugins in Live so Sylenth, Massive, FM8 or whatever all need to be sequenced in Logic. You can sequence MIDI and audio in both Logic and Ableton. When mixing or arranging it’s certainly worth dealing with Arrange view, though. This is okay if you have a four/eight bar loop from zero in Logic and you want to use Live’s Session view attributes to audition ideas, use clip launch actions or similar. Pressing play in Arrange view will behave as you might expect in Logic – if you play from bar seventeen it will play from bar seventeen – however in Session view Logic will always play from zero. I would recommend using Live’s Arrange view, rather than Session, but if you’re an advanced Ableton user this won’t make a difference. All transport functions like play, stop, fast forward and record will be replicated too – both DAWs in sync with each other. You should notice some differences: although the tempo can be adjusted, it’s greyed out because it’s taking this information from the host DAW (Logic). Let’s open up Live (again, ensure you’re running the 64-bit version or this won’t work). Now anything that comes out of Live’s master channel will be inputted into Logic. This will add a track in your mixer called Aux 1: set the input to Ableton Live > RW: Mix L/R: Now click Options > Create New Auxiliary Channel Strip: In the Audio Preferences ( cmd + ,) make sure that ReWire Behaviour is set to either Playback or Live Mode and not Off:Ĭlose the preferences and hit x to open the mixer. If you want to use Logic 9 or another 32-bit DAW, you’ll need to have the 32-bit version of Live.įirst things first open up Logic X, which is acting as the master DAW. It’s important that if you’re using Logic X you have the 64-bit version of Live to hand. Ableton Live 9 can be run in either 32-bit or 64-bit and, if you’ve purchased it, both can be downloaded. We’re going to be using Logic X which is 64-bit software. When rewiring the process is much the same whichever DAWs you are using, so we should be able to demonstrate the concept just fine with these two. Probably two of the more popular sequencers for the average bedroom producer are Logic and Ableton (the latter being both PC and Mac). Know the limitations of your music-making machine and be prepared to freeze tracks or bounce down if necessary. ReWire can be heavy on your CPU so this isn’t always something I reach for. Many Reason users were extremely happy with the sequencing and modular options available in their DAW of choice but begrudged the fact you couldn’t record audio – ReWire made that possible by hooking it up with Pro Tools, Logic or Cubase. I am mostly an Ableton user these days but I was predominantly using Logic for about eight or nine years before that, so I am very clear about the advantages and disadvantages of both. Some come bundled with tonnes of really useful plugins, like Logic some handle time stretching in a really CPU-light way, like Ableton and some have great ways to cross-modulate synths and drum machines, like Reason.Ĭombining the best of all of these DAWs can lead to interesting results. Why ReWire?Īll DAWs do things slightly differently. If you paid for Live, you can download the 64-bit version for free from your account on the Ableton website in your account downloads. In this post I’m going to take you through the steps in rewiring Logic X and Ableton 9 importantly, the latter needs to be running in 64-bit mode else it won’t work. Some DAWs can only be hosts (Logic, Pro Tools, Cubase) and some only slaves (Reason) where as Ableton Live can be both. ReWire requires one DAW to be a host and another to be a slave (bear in mind you can run more than one slave DAW at a time). Originally created to connect Propellerhead’s TB/TR X0X emulator ReBirth to Cubase, it’s now an industry standard method for connecting any two DAWs capable of using it.Ī full list of what DAWs can be ReWired can be found here, but the big hitters are really Logic, Ableton, Pro Tools, Reason and Cubase. One extremely useful development by Propellerhead and Steinberg in 1998 was a software called ReWire. Some stick to one and others flit between several. Lots of producers may have grown up using one DAW and switched to another later down the line. All DAWs have their idiosyncratic nuances that make them great for some things but not so much for others. 2. EaseUS RecExperts for MacĮaseUS RecExperts for Mac is an excellent third-party screen and Webcam recorder for you to record classes on Mac. And you can watch it anytime and anywhere. Step 4. After that, you will find the recorded lectures on your Mac in the MOV format. When the lecture finishes, click the stop button to end the recording. Step 3. When you are ready, you can click the red button to start recording lectures. Then click the triangle beside the red button, and select Soundflower (2ch) from the drop-down menu. Click "File" > "New Screen Recording" on the top bar. Step 2. Open the lecture video that you want to record and launch QuickTime Player. Then click "System" > "Sound Preference" and select Soundflower (2ch) as the Input audio from the Input bar. Step 1. Download and install Soundflower on your Mac. How to Record Lectures on Mac with QuickTime Player: If you need to record an online lecture, you need to install free software called Soundflower on your computer, as Mac does not allow you to capture the internal audio. It can capture anything appearing on your screen with ease. This software can not only media files but record audio and screen on your computer. QuickTime Player is a multifunctional program that you can use to record class lectures on Mac. Here we will introduce two popular and reliable screen recorders for you. No registration is needed.įor Mac users, there is still some freeware you can use to capture lectures. If you want to try, click on the button for free download to get it on your device. This best app for recording lectures ensures that the recorded files are of high quality.įor beginners, this is the best screen recorder for lectures. This screen recording software allows you to record your screen in customized sizes, like an entire screen or a selected area.īesides, it offers you many other options, like recording audio (system sound, microphone, or both), capturing webcam, gameplay, zoom meeting, streaming audio and video, etc. Its intuitive and straightforward interface is friendly to all levels of users, especially the novices. Related Article: Top 12 Best Free Screen Recorder for Windows & Mac How to Record a Lecture on Windows 10ĮaseUS RecExperts for Windows is a versatile lecture recording app for Windows, and it can help you record a lecture easily. PAGE CONTENT: How to Record a Lecture on Windows 10 How to Record Online Lectures on Mac How to Record Lecture on iPhone/iPad Bonus Tips: How to Record a Lecture for Students Using Webcam I call it a "machine gun" for fun but it actually feels like a real one compared to a tiny pistol that shoots only one shot at a time! Therefore no mousing around any more for transferring hundreds of fields from one archive to another in a hefty database! Add to this the possibility of converting the rich text into simple text at the click of a mouse and assigning a shortcut to the recent ten items and you’ll get a better picture why it’s a unique program in the crowded market of similar applications. Imagine the time one saves when accomplishing this function hundreds of time a day. It’s called “Serial Copy&Paste” and consists of copying tens of let’s say ‘song titles’ all at once and then paste them orderly and individually to the desired destination. If this doesn’t put you off (I know there’s always someone to pick up a bone on this) then please read on! I like CopyLess especially for a very powerful feature that helps me out with my tedious work of copying and pasting several items in a row. I bought “CopyLess” on App Store a few days ago.
Prominent bass tones bubble up the drumming cavorts and careens and eventually a deep, haunting voice makes slow utterances, and later transform into throat-lacerating yells of extreme vehemence. The drums then tumble in striking fashion as the melody quivers and shivers. The song undergoes many changes, but begins with start-stop bursts of explosive drumming and dissonance-tinged melody. In the case of the song we’re presenting today, it is a rich amalgam of sounds and sensations that merits that term “dazzling”. That paragraph provides useful hints to the music, but in truth it’s difficult to completely capture the widely varying experiences and stylistic ingredients. The collision of raging fury and romance within songs like ‘Sierlijke Schaduwmond’ is bewitching, the sweet, smoky jazz of ‘Parijs Is Een Portal’ is, as suggested, a doorway to another time, another world, another reality.” Their second album, Zwart Vierkant, is breathtaking in its breadth and independence, dazzling in its ambition and utterly enthralling and all consuming in its complexity of vision. Here are the words chosen by Onism: “ Grey Aura create a liquid form of atmospheric black metal which shifts between forms like quicksilver, flowing over the boundaries of genres, slipping between cracks in the restrictive walls that surround them. Onism has provided a description of the album, which we’re going to share with you because it really does provide a good introduction to the music - but we will also be giving you a chance to actually listen to some of the music, through our premiere of the album’s opening track, “ Maria Segovia“. In creating it, this Dutch band from Utrecht have crafted a fascinating, hard-to-categorize musical narrative that is bound to a novel written by Grey Aura’s Ruben Wijlacker which follows the journey of an early 20th-century painter through Europe, a character who has become obssessed with the Russian art movement Suprematism. The album’s name is Zwart Vierkant, and it will be released on May 7th by Onism Productions. You can guess even from gazing at the cover art for Grey Aura‘s new album (by Dutch photographer/artist Sanja Marusic) that you may be about to experience something that’s well off the usual beaten paths, and that turns out to be undeniably, unmistakably, true. New York : The New Press, 1992.Ĭhayes, Abram. The Cuban Missile Crisis, 1962 : A National Security Archive Documents Reader. dissertation : University of Oklahoma, 1965.Ĭhang, Laurence and Peter Kornbluh. Crisis Decision-making in the Eisenhower and Kennedy Administration : Applications of an Analytical Scheme. Kennedy School of Government, Center for Science & International Affairs, Harvard University, January, 1989.Ĭecile, Robert E. 1979.Ĭambridge Conference on the Cuban Missile Crisis, October 11-12 1987. In Naval War College Review, V.32, July-Aug. " Department of Defense Operations During the Cuban Crisis : A Report by Adam Yarmolinsky, 13 February 1963 ". New York : Random House, 1988.Ĭaldwell, Dan. Claremont, CA : Regina Books, 1996.īundy, McGeorge. The Missile Crisis of October 1962 : A Review of Issues and References. New York : Random House, 1991, c1990.īrune, Lester H. Eyeball to Eyeball : The Inside Story of the Cuban Missile Crisis. Berkeley Heights, NJ : Enslow Publishers, Inc, c2001.īrugioni, Dino A. The Cuban Missile Crisis in American History. New York : Columbia University Press, 1968.īrubaker, Paul. T he Faces of Power : Constancy and Change in United States Foreign Policy from Truman to Johnson. dissertation : University of North Carolina, 1971.īrown, Seyom. United States Propaganda Performance in Crisis, 1960-1965. dissertation : Georgetown University, 1989.īrown, Richard Mayhew. Dean Acheson : Elder Statesman of the Cold War, 1953-1971. Columbia : University of South Carolina Press, 1994.īrinkley, Douglas G. The Presidency and the Rhetoric of Foreign Crisis. New York : Norton, 1973.īostdorff, Denise M. New York : Hill & Wang, 1989.īohlen, Charles E. On the Brink : Americans and Soviets Reexamine the Cuban Missile Crisis. London : Frank Cass, 1998.īlight, James G and David A.Welch. Intelligence and the Cuban Missile Crisis. New York : Pantheon Books, 1993.īlight, James G and David A.Welch. Cuba on the Brink : Castro, the Missile Crisis, and the Soviet Collapse. Savage, MD : Rowman & Littlefield Publishers, c1990.īlight, James G., Bruce J. The Shattered Crystal Ball : Fear and Learning in the Cuban Missile Crisis. New York : Simon & Schuster, c1998.īlight, James G. The Color of Truth: McGeorge Bundy and William Bundy: Brothers in Arms. dissertation : Southern Illinois University, 1970.īird, Kai. A Rhetorical Analysis of the Speechmaking of Adlai Stevenson Inside and Outside the United Nations on Major Issues During the 17th, 18th, and 19th Sessions of the General Assembly. Paderborn, Germany : Ferdinand Schöningh, c1997.īiggs, James W. Kennedy und der Kalte Krieg: Die Aussenpolitik der USA und die Grenzen der Glaubwürdigkeit. New York : Harper/Collins, c1991.īiermann, Harald. The Crisis Years : Kennedy and Khrushchev, 1960-1963. Englewood Cliffs, NJ : Prentice-Hall, c1977.īeschloss, Michael R. The Politics of American Foreign Policy : The Social Context of Decisions. Flashpoints : The Cuban Missile Crisis.London : Longman Group Ltd., 1971.īerkowitz, Morton, P.G.Bock, and Vincent J. New York : Oxford University Press, 1966-1970.īeggs, Robert. A History of Broadcasting in the United States. dissertation : University of South Carolina, 1981.īarnouw, Erik. New York : Norton, 1982.īarlow, Jeffrey Graham. dissertation : Harvard University, 1990.īall, George Wildman. Sources of "New Thinking" in Soviet Foreign Policy : Civilian Specialists and Policy Toward Inadvertent War. New York : Addison Wesley Longman, c1999.Īllyn, Bruce James. Essence of Decision : Explaining the Cuban Missile Crisis. dissertation : Harvard University, 1968.Īllison, Graham T. Policy, Process, and Politics : Conceptual Models and the Cuban Missile Crisis. Boston : Little, Brown, 1971.Īllison, Graham T. Master's thesis : American University, 1964.Īllison, Graham T. The Cuban Missile Crisis : A Study in Multilateral Diplomacy. Philadelphia : Lippincott, 1966.Īkers, Albert B. Nearly all of these publications are based on research conducted in the Kennedy Library's document collections, or on publications, microfilm collections, World Wide Web sites, and other institutions that contain copies or facsimiles of portions of Kennedy Library document holdings.Ībel, Elie. It does not include undergraduate student papers, novels, or general biographies of President Kennedy and other participants. This list contains more than 225 titles indexed under the library's Cuban Missile Crisis heading. This is so that researchers who use our archival holdings may focus more closely on titles that may contain important information about issues of the Kennedy administration. The Kennedy Library applies special local modifications to standard Library of Congress Subject Headings. This reading list is composed of titles cataloged in the Kennedy Library's printed materials collections. The Cuban Missile Crisis, October 1962 : A Reading List (2002) They said that the Sprint account was from 2004 and that it was opened with a Las Vegas address. I advised them this is the 2nd time they have contacted me regarding this bogus Sprint account and the 1st time I heard about a childrens hospital. I received a call from Dynamic Recovery Solutions saying that I owe Sprint and some childrens hospital in Madera, Ca. It appears that Pendrick Capital Partners II LLC not only sold my personal information and a false debt to Phoenix Financial Services but also sold my name and credit card number to someone who started using it fraudulently. I will contest the $65 credit card charge as soon as it posts to my account. The credit card used for this payment recently has been used fraudulently by someone in New York City I have cancelled it. The charge on my credit report was false! I then checked my records for the emergency room visit and found that I had paid the $65 at the time of service. When I received the "original charge" from Phoenix Financial Services, I found that Phoenix had obtained my information from Pendrick Capital Partners II LLC, including my name, credit card number and social security number. I authorized the payment of the $65 via credit card and asked for a copy of the original charge. I recognized the event and thought I had simply not been billed correctly by my insurance company for my copay (which was, at the time, $65). The representative at Phoenix said I owed $65 for an emergency room visit. I contacted the debt collection agency, Phoenix Financial Services, in Indianapolis, IN by phone today. I contested the charge with Experian, because I have had no unpaid bills to my knowledge in the last 20 years. I discovered an unpaid bill for $65 in collection in my credit report at. |
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